Ok. Dad update. He’s just completed his fifth round of chemotherapy. Signs of improvement at this point are confined to watching the hemoglobin count go from 9-something to 11-something. Can you believe that hope for life can be found in the interval? It seems, at this point, that’s all we’ve got.
Driving around yesterday, I found one of the billboards advertised as part of the Nasher Museum of Art’s exhibit, Street Level: Mark Bradford, William Cordova and Robin Rhode. These billboards, pictured here, are—from what I remember of a radio interview—inspirations for the artists featured in the exhibit. Well, someone placed a “counter billboard” beneath one of the big ones.
It did have the effect of causing me to go down to the museum to take a look. Ok. So in terms of how the visitors experience a museum from the very start, here’s how it goes at the Nasher: You drive up, park, and have to buy a parking pass from an electronic vendor which asks how long you plan to be here. WTF??? That’s a hell of a way to orient a newly arrived visitor or give them the information needed to time-manage the stay. Do you want to only stay an hour so you don’t start incurring exorbitant parking fees? ($2 an hour.) That’s not cool. And it reminds me of the equally expensive parking rates they charge by the machines and in the new deck behind the Bryan Center for visitors to the Special Collections Library.
Ok. So after visiting the exhibits I get a cup of coffee at the little café just as it’s closing (two hours before the museum closes) so I take the cup into the lobby. I sat on a bench in front the gift shop and sipped and a security guard came up and said I’ve got to get that coffee out of here. I said I’m just waiting a moment, and I’m about to leave anyhow and she responded very curtly that I have to get it out of here. Now. So I left the whole damn museum. And as I walked out, through the same lobby I’d been sitting in, I passed caterers setting up large dinner tables for an after hours event. Not cool.
As for the Street Level exhibit, the stuff by William Cordova was just awesome. The stuff by Robin Rhode was somewhat interesting but if you bothered to read the labels, you will 1) not get obvious questions answered about the photographs, and 2) get whacked over the head by some real obtuse political statements. That kind of ruined it for me. The artist appears in almost all the photographs and I’m just thinking I’d hate to have to meet this guy at a party and be subject to his obnoxious and unsubtle political lecturing. Well, as I’ve mentioned before, art museum labels are weird…they’re just never seem to be written with the average dumbass like me in mind.
Which brings me to another thing at the Nasher. In the rear of the classical art section, they’ve got an arch from some 4th Century (or something) French church. Pretty neat, but then I read the label and it told me that the arch was recycled from a Roman building and the original carving was on the rear. Ok. So that makes this artifact ten times more interesting to me and wouldn’t you know it, the thing is backed up to a wall. Yeah, it left enough space for my agile and wisp-like body (heh) to squeeze behind and see the Roman carvings, but few other visitors would have been able to do that. Put a mirror up, or something, but don’t tease the visitor like that and not offer a reward.
So I did sit down to write about the big changes afoot in my life, but this cranky review sidetracked me. I’ll just have to tell you next time. Ok?